Anuario TAREA https://revistasacademicas.unsam.edu.ar/index.php/tarea <p>Anuario TAREA is an academic platform designed to foster debate and promote exchanges that enrich the daily practice of professionals and researchers interested in cultural heritage, its history, conservation and study.</p> <p>Anuario TAREA is published annually by <a href="https://ciap.conicet.gov.ar/">Centro de Investigaciones en Arte y Patrimonio</a> (CONICET - UNSAM) and <a href="https://unsam.edu.ar/escuelas/eayp/tarea.php">Centro TAREA</a> (Universidad Nacional de San Martín). It is aimed at students, teachers, professionals, researchers, and the general academic public interested in research on cultural heritage.</p> <p>Contributions in Spanish, Portuguese, or English are welcomed. Authors may submit articles, research papers, reviews of publications, exhibitions or academic conferences related to history, art history, conservation, restoration, and general heritage issues.</p> <p> </p> <p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/88x31.png" alt="Creative Commons License" /></a></p> <p>Anuario TAREA is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>.</p> es-ES atarea@unsam.edu.ar (Carolina Vanegas Carrasco / Milena Gallipoli) portalderevistas@unsam.edu.ar (Ramiro Uviña / Diego Higa) Sat, 01 Nov 2025 00:00:00 +0000 OJS 3.2.1.1 http://blogs.law.harvard.edu/tech/rss 60 Books and Magazines as Expanded Spaces for Curatorial Practice https://revistasacademicas.unsam.edu.ar/index.php/tarea/article/view/1973 <p>This text aims to propose, through examples of the Mexican context, that books and magazines are curatorial devices in which images coexist with textuality, generating specific ways of seeing. Hence, the enormous power of the bibliohemerographic circuit for the dissemination of the arts. The text presents the difference between what is defined as “neomedial curatorial devices”, where books and magazines show visual works made expressly for the pages of a publication, and “transmedial curatorial devices”, in which we see works of art (paintings, sculptures, installations, murals, etc.) that appear on the pages of illustrated prints through a photographic reproduction. The sequence of the pages and the editorial decisions (lay out of the page) generate a series of semantic associations that constitute the text-image curatorial practice and impact the reading through contiguity of texts and images that form a curatorial unit.</p> María Andrea Giovine Yáñez Copyright (c) 2025 https://revistasacademicas.unsam.edu.ar/index.php/tarea/article/view/1973 Wed, 01 Oct 2025 00:00:00 +0000